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Reviving Italy's golden age of
racing.
The residents of Morciano di Romagna don’t seem to mind the parade of
exotic motorcycles storming through their narrow streets, a cacophony of
straight-pipe exhausts resonating against ancient stone facades. Even better,
neither do the local police, who have made it clear that the riders may regard
speed limits—and most traffic signs—as suggestions. The town’s joy is captured
in the faces of its schoolchildren, who have the afternoon off to watch our
vintage machines stream past.
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This tacitly condoned, two-wheeled lawlessness
is not as reckless as it sounds—after all, we can hardly get into too much
trouble with a scant 175cc of 50-year-old Italian iron buzzing beneath us. For
the next five days, protagonisti—or players—from around the world will be
cheered across Italy as we participate in the country’s oldest timed motorcycle
rally, the Motogiro d’Italia. Each May, the Giro—as it is affectionately
known—celebrates the country’s golden age of motorcycle competition as
protagonisti, attired in the era’s racing leathers and half-shell helmets,
traverse more than 1,200 kilometers of Italy’s undulating topography. The
first Motogiro ran in 1914 and, over the ensuing four decades, rose to
prominence as Italy’s premier long distance road race. The 1954 event saw no
fewer than 50 motorbike manufacturers represented in a grueling, eight-stage,
3,414-kilometer race. August companies such as Ducati, Morini, Gilera, Moto
Guzzi, Rumi, and MV Agusta designed machines specifically for the event. And
riders, including Giuliano Maoggi, Emilio Mendogni, Leopold Tartarini, and Remo
Venturi, became heroes to the legions of devoted fans who lined the course in
the Motogiro’s heyday.

The Giro survived both world wars, but in 1957 fell
prey to bureaucracy when the Italian government put a stop to all road
competitions. After a 44-year reign as the country’s most prized motorcycle
race, the Motogiro d’Italia ceased to exist. The villages and winding mountain
roads of Italy would not again hear the sound of the Giro’s small-displacement
racing engines until 2001, when Dream Engine—a Bologna-based events
company—revived the competition in cooperation with Ducati. It was an
overwhelming success: The 2005 race fielded 400 international
protagonisti.Before the 2005 Giro, I had never seen so many rare and
beautiful vintage motorcycles gathered in one place, let alone being ridden—and
ridden hard.
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My introduction to the historical Motogiro would be full
immersion, riding a 1957 Motobi 125cc. In her day, this diminutive machine—one
year older than me—represented the height of racing prowess, churning out 11 hp
and reaching top speed at 68 mph. The Motobi’s anachronistic shift lever is on
the right, and it further confuses with gears in a pattern reverse to today’s
norm. For a modern rider, this unfamiliar shift pattern, the severe shortage of
horsepower, and tiny drum brakes that contribute more to aesthetics than
function mean that this bike requires absolute concentration.
The Motogiro is
a timed road rally rather than an all-out race, the idea being to complete each
daylong leg—from 210 to 290 kilometers—in the prescribed time without accruing
penalties for actions such as arriving late at a checkpoint, missing a
checkpoint, or cutting the course. Other penalties can accrue during a daily
series of special tests, tight slalom courses, or slow-speed trials, where
points are knocked off for touching a foot down, stalling the motor, or knocking
over a cone. The Motogiro tests not only one’s endurance and the dependability
of antique machines, but also one’s mental acumen for wit and strategy.
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A
steep learning curve ahead of me, I take off with the racers as they depart the
starting piazza at one-minute intervals. I soon have the Motobi buzzing through
the countryside on the way to Umbria, overruling 30 years of habit when
shifting—remembering that the lever under my left foot is a brake and not a
shifter—and keeping the little 125cc motor within its ever-so-narrow powerband.
Most of these old bikes put out between 12 and 18 hp, so riding becomes an
exercise in momentum; maintaining forward motion demands precision. To keep pace
with the other racers, I hold the throttle to the stop on the winding roads in a
sinuous ballet of low-velocity drafting and patient, gradual overtaking. The
little motor-that-could funnels its burned gases out an unmuffled, straight-pipe
exhaust, and—with throttle to the lock nearly the whole time—its drone rings in
my ears long after it has been turned off. My time aboard the trusty Motobi will
go down as one of the most exhilarating—albeit loud—experiences I’ve had riding
a motorcycle.Thank god for the immaculate maintenance of Italy’s roads: My
trusty little Motobi is deficient in the suspension department, and every bump
and nick in the road telegraphs through the frame and into the bars. Several
hundred kilometers may not sound like much on a new bike, but with the Motobi’s
cramped riding position and the sparse padding of its narrow seat, I learn, both
to appreciate modern technology, and to respect the pilots of old.
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The route
is marked by arrows at the course’s many roundabouts and forks. Though getting
lost is difficult, people manage to do it. Suddenly I find myself conspicuously
out of place, a lone relic from the past riding in the modern world like a time
traveler, and I assume I’ve missed a marker and need to turn around. Getting
back on track is usually a simple affair. One episode of confusion is caused by
mischief: Local boys rearrange the posted arrows helter-skelter to send astray a
horde on vintage motorcycles. In typical Italian fashion, aggravation gives way
to humor as the responsible party finally points out the right direction and
correctly resets the arrows.
Checkpoints and scheduled rest stops at villages
are welcome sights. Giro participants, several hundred strong, arrive in a
steady stream and transform each town’s piazza into a vintage motorcycle show.
The bars, cafes, and restaurants await riders with water and pasta, bruschetta,
pizza, and cheeses. Hands buzzing from the vibration of the Motobi’s handlebars,
I break bread with fellow protagonisti. With bragging and light-hearted jabs, we
recount experiences on the road.
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Like the circus come to town, the Motogiro
sweeps into these small hamlets in brief bursts of excitement. The locals, young
and old, come together in a common spirit of joy. Grandfathers point out the
machines of their youth to grandsons perched on their knees. A friendly elder
regales you with stories of the original Giro that passed through the village
all those years ago: He remembers—he was here. Then, an espresso—and back aboard
the Motobi for another romp through Italy’s beauty.
Now and again I see a
meticulously restored machine parked in the driveway of a private home. Nearby,
its owner—old, leaning against a cane—stands proudly over this memento of his
youth, testament to his racing past and token of camaraderie with today’s
passing racers. And here I am, basking in this reflected glory of Italy’s
illustrious racing history, taking part in a legendary rally, now, creating a
story of my own. A friendly exchange of waves, and I push on. Certain
competitors take the Giro very seriously, making a science of the timed event
with arrays of stopwatches and clocks. At the hotels each night, they pore over
the results to see who has gained time—and who has lost. They compete with hopes
of adding their names to the roll of Motogiro victors—and to win a special
Motogiro Edition Ducati Supersport 900. Runners-up receive trophy cups.
The
experience is everyone’s reward; the Giro, I’m told, has a way of staying with
you. Vicki Smith of Fort Lauderdale, Fla., made history in 2001’s inaugural
rally when she became the Motogiro’s first-ever female competitor. She has
returned each year since, to an event that she says changed her life. Like many
of the participants, Smith’s affinity for the Motogiro is a measure beyond
passion for motorcycles. She credits the Giro as catalyst for an epiphany that
prompted her to rethink her obsessive work ethic and to emulate the relaxed
Italian pace.

It’s easy to allow myself to slip back through the years as I
race through the Italian countryside on a vintage motorcycle. Reminders of
progress less evident, I am lulled into a contemplative, meditative state by the
steady drone of the single-cylinder engine churning away at peak rpm. Riding
becomes intensely personal and introspective. With a 50-year-old 125cc engine
beneath me, tires no wider than my fist, each turn of the throttle, each pull of
the clutch, and each shift of the transmission becomes a well-planned,
anticipated action. It feels like riding a motorcycle for the first time,
again.
The small pack of racers I have joined pass through the next village
in a procession of beautifully maintained, postwar motorcycles. We emerge into
open country, heading steadfast for the next checkpoint. And so it goes, village
after village, checkpoint after checkpoint, bringing echoes of the past to those
who have lined the avenues to cheer us on. These are the magic and nostalgia of
the Motogiro d’Italia. Dream Class The motogiro d’italia, open to all brands of motorcycles that are authorized for
road use, is divided into three classes: Vintage Racing Class—Includes
motorbikes up to 175cc manufactured prior to 1957.
Taglioni Memorial
Class—Highlights motorbikes 250cc or larger produced between 1968 and 1978, the
decade in which Ducati engineer Fabio Taglioni created his legendary 2-cylinder
machines. Touring Class—Includes newer motorbikes for those who wish to
participate in the Motogiro on a noncompetitive basis.
For information about
participating in the Motogiro d’Italia, contact Dream Engine through www.motogiroditalia.com or at
+39.051.6494472.
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