back issues
view ads
reprints
contact us
 
Machines
  : Sport Bikes
  : Cruisers
  : Customs
  : Touring
  : Classics
  : Off-road
  : Scooters
  : Adventure & Dual-Sport
Racing
Accessories
Riding Style
Clubhouse
Travel & Touring
Advertisers

Subscribe

FREE ISSUE FREE GIFT
Subscribe today and get a free issue. If you like it, you’ll pay $19.97 for 5 more issues (6 in all) and receive your free MotorCycling Tool Pouch. If not, write "cancel" on the invoice you receive, the free issue is yours to keep.

Canadian orders click here
International orders click here

Bonus offer: Click here to pay today and get two additional issues (8 in all) and your free tool pouch.

Submit
/ Home / Machines / Customs /
The Quiet Master
Goldammer Cycle Works
Michael Schulte
02/01/2007
Photography by Cordero Studios/corderostudios.com
Photography by Cordero Studios/corderostudios.com

Goldammer Cycle Works produces a small selection of top-shelf components, including the sleek, aggressive G-Force front end, widely considered the best custom front end in the business. “I set as a personal goal, years ago, to only build products that I truly believe in,” Goldammer says. “I didn’t want to build cheap grips and mirrors. ‘Never sell out’ is an ideal that I’ve always had.”

His assiduously crafted custom machines rarely bear reproducible fruit. “Most of the bikes that I build have no marketable parts on them,” he states. “[The components] are so labor intensive, I wouldn’t dream of mass-producing them.” There are notable exceptions, such as the sweeping teardrop-in-the-wind Airtime air filter that was originally designed for his BTR#3 bike (which graced the Spring 2005 RRMC cover). (Click image to enlarge)

Goldammer’s commitment to integrity results in the fully formed, anatomical presence of his machines. While some builders are content to bolt on a cluster of catalog parts to create a custom “look” and boost parts sales, Goldammer hand-builds each part, on principle, even if he is the only one who knows it. “I’m not going to put my front end on a bike just to promote my product,” he says of his organic approach. “It seems counter-productive, but, in some strange way, it seems to have worked for me.”

An astute engineer, welder and machinist, Goldammer’s design process relies more on inspiration during the build, than to meticulous preparation beforehand. “I intentionally don’t blueprint everything on a bike because it loses something if you plan every little detail,” he says of his flexible approach. “I’m trying to create an overall impression, a stance. As long as I get there in the end, I don’t sweat the details.” His intricate creations often emerge from an elementary nucleus. “I’ll usually build a bike from a simple little sketch I made in the middle of the night when I was working,” Goldammer reveals. “After the bike is finished, a lot of times I’ll find that scrap of paper in a drawer and it will be that bike.”

Of all the bikes he has produced, Goldammer is probably best known for his two low-slung, retro-tributes: BTR#3 and Trouble. Spirit summoning phantoms from the perilous 1920s board track era, before minimalism was a “style”, both bikes pay low, lean homage to the racing machines that daring young men rocketed around banked wooden velodromes nearly 100 years ago. (Click image to enlarge)

“I really wanted to capture and exaggerate the features of the era,” Goldammer says of BTR#3. The bike’s big wheels, exposed frame, turn-down bars and fenderless front end conjure the period’s lust for speed and danger. A melding of modern and antique, Goldammer was determined that the bike be a rideable street machine as well. “I was willing to sacrifice a few things, but not much,” he says of the era-blending racer’s authenticity. “You’re always weighing form and function.” Unlike its board track antecedents, which lacked frivolous accessories, such as brakes, the BTR#3 features big, rim mounted discs that are as much about style as stopping power.

His follow-up, the machinery green, supercharged Trouble recalls the single-jug Harley “Peashooter” of the era. Goldammer says, “Back around 1919 to 1922, before Harley produced its single engine, the race teams would actually plate off the rear cylinders on the V-twin cases to compete at the shorter race tracks that had displacement restrictions around 350cc.” Goldammer’s flash-forward take on the Jazz Age design uses the plate covering the lone pot’s spigot hole as the bracket for the Rotrex supercharger, which is belt-driven 2-to-1 off the crankshaft. In an amiable melding of past and present, the Swedish made blower looks perfectly organic when incorporated into the bike’s austere design. Further welding the eras, the kick-started 956cc big single combines a contemporary V-Twin bottom end with an Engenuity single head and barrel. An Evo-style crankcase and flywheel assembly come from Merch Motor Works.

 
1 | 2 | 3 | 4 | >>
Printer Friendly Version  Email a Friend
Related Articles
: Rainey's Reign
: Suzuki GSX-R750
: Hardbikes Rolls Out Custom
: F 800 S & F 800 ST
: Agostini F4 & Testastretta 999R
Riding Style
For cornering and clubbing.
::MORE::

Clubhouse
Dunlop Motorcycle Tires will offer a series of high-quality, collector’s edition Legends posters, with the net proceeds benefiting injured riders through the Clayton Memorial Foundation.
::MORE::

GET THE NEW ISSUE! FREE S&H


MotorCycling Updates
Enter your email address to subscribe now!

 
Unsubscribe from our newsletter